LAYOUT — THE THIRD

We were working on a story about a group of squatting pioneers on the Outer Banks of NC that had little to no available photography. Worked up this concept for the opening spread based on the group’s adopted name. Made it happen in the studio, and i… — We were working on a story about a group of squatting pioneers on the Outer Banks of NC that had little to no available photography. Worked up this concept for the opening spread based on the group’s adopted name. Made it happen in the studio, and it wound up being one of my favorite shoots.

More fun making typography in the studio with real life props. (Butter, tobacco and a screen door. Tried and failed to grow a kudzu font for the same issue. Can’t win em all)

POP UP CUTOUTS

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

We were looking for something eye catching to celebrate the magazine’s 80 years worth of covers. My idea was to bring them to life using stacks of back issues and an exacto knife.

I included this one because I wrote the title ( which designers rarely get to do. ) That title heavily informed the design and I always liked it.

SOIL SCULPTURE

Another story with no good photography options came when a local author became fascinated with the variety of dirt in our state. I requested the proper samples from soil scientists and made a (mostly) accurate map in the studio. The simplicity of the design came together perfectly with the final product.

Another story with no good photography options came when a local author became fascinated with the variety of dirt in our state. I requested the proper samples from soil scientists and made a (mostly) accurate map in the studio. The simplicity of th

Another story with no good photography options came when a local author became fascinated with the variety of dirt in our state. I requested the proper samples from soil scientists and made a (mostly) accurate map in the studio. The simplicity of the design came together perfectly with the final product.

Another story with no good photography options came when a local author became fascinated with the variety of dirt in our state. I requested the proper samples from soil scientists and made a (mostly) accurate map in the studio. The simplicity of th

Another story with no good photography options came when a local author became fascinated with the variety of dirt in our state. I requested the proper samples from soil scientists and made a (mostly) accurate map in the studio. The simplicity of the design came together perfectly with the final product.

Another story with no good photography options came when a local author became fascinated with the variety of dirt in our state. I requested the proper samples from soil scientists and made a (mostly) accurate map in the studio. The simplicity of th

Another story with no good photography options came when a local author became fascinated with the variety of dirt in our state. I requested the proper samples from soil scientists and made a (mostly) accurate map in the studio. The simplicity of the design came together perfectly with the final product.

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